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Pygmalion (Penguin Classics) By George Bernard Shaw
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Review
One of Shaw's best works, Pygmalion is a perceptive comedy of wit and wisdom about the spunky flower girl and her irascible speech professor. The flower girl Eliza Doolittle teaches the egotistical phonetics professor Henry Higgins that to be a lady means more than just learning to speak like one. The performance by the L.A. Theatre Works is technically flawless and a world-class performance of a theatrical classic. -- Midwest Book Review
The performance by the L.A. Theatre Works is technically flawless and a world-class performance of a theatrical classic. -- Midwest Book Review
From the Inside Flap
One of Shaw's most enduring works, Pygmalion is an insightful comedy of class relations and perceptions, as played out between a Cockney flower girl and the irascible speech professor who has taken her on as a pet project. Described by critics as "a play of great vitality and charm," Pygmalion inspired the award-winning stage and film productions of Lerner and Loewe's musical, My Fair Lady.
An L.A. Theatre Works full-cast performance featuring Roslyn Alexander, Shannon Cochran, Denise du Maurier, Rebecca MacLean, David New, Kenneth J. Northcott, Nicholas Pennell, Nicholas Rudall, Ben Whitehouse and Laura Whyte.
About the Author
Goerge Bernard Shaw (1856-1950) was one of the most prolific writers of the modern theater. He invented the modern comedy of ideas, expounding on social and political problems with a razor-sharp tongue. He won the 1925 Nobel Prize for literature. Dan H. Laurence is series editor for the works of Shaw in Penguin. W. J. McCormack is professor of literary history at Goldsmith's College, London.
Nicholas Grene is Professor of English Literature at Trinity College, Dublin, a Senior Fellow of the College, a Member of the Royal Irish Academy and a Life Member of Clare Hall, Cambridge. He has published widely on Shakespeare, drama, and Irish literature, and his books include Bernard Shaw: A Critical View (1984), Shakespeare's Tragic Imagination (1992), The Politics of Irish Drama (Cambridge University Press, 1999) and Shakespeare's Serial History Plays (Cambridge University Press, 2002). Among his most recent books are Yeats's Poetic Codes (2008), the New Mermaids edition of Major Barbara (2008), Synge and Edwardian Ireland (co-edited with Brian Cliff, 2011), and a memoir Nothing Quite Like It: An American-Irish Childhood (2011). He has been invited to speak in over twenty countries and has been a visiting professor at the University of New South Wales, Dartmouth College and the University of Paris IV (Sorbonne).
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